Video | Film | MaerzMusik 2025

Finale MaerzMusik 2025: I AM ALL EARS

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© Berliner Festspiele / MaerzMusik

The festival’s final programme, co-curated by Wojtek Blecharz, explored listening as a relational practice and questioned traditional forms of musical performance. Following one of Éliane Radigue’s guiding principles – “you can be in the smallest corner and hear the totality of what is going on” – the finale decentralised the stages of the Haus der Berliner Festspiele and invited the audience into its open spaces and, at the same time, into the microcosms of sound.

The performance took place on 30 March 2025 at the Haus der Berliner Festspiele.

Available from 17 October 2025

4 min

Word mark MaerzMusik

Programme

Wojtek Blecharz
Stimm[i](u)ng (2019) 
Sonata for keyboard and tape (2020) 
Excerpts from Symphony No. 3 for 200 wireless speakers (2019–2023) 
Excerpt for dancer and double bass from Body-Opera (2015–2018) 

Sam Dunscombe 
First Study in Mass Plasma Synthesis (2019, rev. 2025) 

Corie Rose Soumah 
Limpidités I (2018) 

Annie Hui-Hsin Hsieh 
3,6. (2019) 

Yiran Zhao 
SHH 1 (2015) 

Tom Johnson 
9 bells (1979) 

Solistenensemble Kaleidoskop 
Nexus. Auris Interna (2025) 

Pauline Oliveros 
Tuning meditation (1971) 

With

Members of Solistenensemble Kaleidoskop & guests:
Mia Bodet, Malin GrassVioline | violin 
Ildiko Ludwig, Grégoire Simonviola 
Kornelia Jamborowicz, Sophie Nottecello 

Sam Dunscombeelectronics 
Jennifer Torrencepercussion 
Beltane Ruiz Molinadouble bass 
Karol Tymińskidance, choreography 
Mathilde Conley, Paul Hübnertrumpet 
Elena Kakaliagou, Samuel Stollhorn 
Henrik Munkeby Nørstebøtrombone 
Janni Struzyktuba 
Yiran Zhao, Andrew Walsh, Christopher Loyperformance 
Sebastian Berweck, Silke Langesynthesizers 
Jacob Greenbergsynthesizers, transducers

Wojtek Blecharz, Kamila Metwalycuration
Bastian Zimmermanndramaturgy
Franziska Berlitzproduction

Video recordings and editing by Naima Maleika

An event of Berliner Festspiele / MaerzMusik