Video | Film | MaerzMusik 2025
Finale MaerzMusik 2025: I AM ALL EARS
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The festival’s final programme, co-curated by Wojtek Blecharz, explored listening as a relational practice and questioned traditional forms of musical performance. Following one of Éliane Radigue’s guiding principles – “you can be in the smallest corner and hear the totality of what is going on” – the finale decentralised the stages of the Haus der Berliner Festspiele and invited the audience into its open spaces and, at the same time, into the microcosms of sound.
Programme
Wojtek Blecharz
Stimm[i](u)ng (2019)
Sonata for keyboard and tape (2020)
Excerpts from Symphony No. 3 for 200 wireless speakers (2019–2023)
Excerpt for dancer and double bass from Body-Opera (2015–2018)
Sam Dunscombe
First Study in Mass Plasma Synthesis (2019, rev. 2025)
Corie Rose Soumah
Limpidités I (2018)
Annie Hui-Hsin Hsieh
3,6. (2019)
Yiran Zhao
SHH 1 (2015)
Tom Johnson
9 bells (1979)
Solistenensemble Kaleidoskop
Nexus. Auris Interna (2025)
Pauline Oliveros
Tuning meditation (1971)
With
Members of Solistenensemble Kaleidoskop & guests:
Mia Bodet, Malin Grass – Violine | violin
Ildiko Ludwig, Grégoire Simon – viola
Kornelia Jamborowicz, Sophie Notte – cello
Sam Dunscombe – electronics
Jennifer Torrence – percussion
Beltane Ruiz Molina – double bass
Karol Tymiński – dance, choreography
Mathilde Conley, Paul Hübner – trumpet
Elena Kakaliagou, Samuel Stoll – horn
Henrik Munkeby Nørstebø – trombone
Janni Struzyk – tuba
Yiran Zhao, Andrew Walsh, Christopher Loy – performance
Sebastian Berweck, Silke Lange – synthesizers
Jacob Greenberg – synthesizers, transducers
Wojtek Blecharz, Kamila Metwaly – curation
Bastian Zimmermann – dramaturgy
Franziska Berlitz – production
Video recordings and editing by Naima Maleika
An event of Berliner Festspiele / MaerzMusik