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The vocalist and performer Christian Kesten talks about his role as a &ldquo;phonetic machine&rdquo; in Helmut Lachenmann&rsquo;s piece &ldquo;&hellip; zwei Gef&uuml;hle &hellip;&rdquo;, Musik mit Leonardo (1991/92) and demonstrates the effects of Lachenmann&rsquo;s exact rhythmic notation on Leonardo da Vinci&rsquo;s text about fear and desire.

7.9.2025

<h3>EnsembleKollektiv Berlin</h3>

Enno Poppe&nbsp;&ndash; conductor 
Christian Kesten&nbsp;&ndash; speaker

Helmut Lachenmann (*1935) 
&ldquo;&hellip; zwei Gef&uuml;hle &hellip;&rdquo;, Musik mit Leonardo (1991/92) 
for speaker and ensemble 
lyrics by Leonardo da Vinci

Shorts: Christian Kesten

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The vocalist and performer Christian Kesten talks about his role as a “phonetic machine” in Helmut Lachenmann’s piece “… zwei Gef&uuml;hle …”, Musik mit Leonardo (1991/92) and demonstrates the effects of Lachenmann’s exact rhythmic notation on Leonardo da Vinci’s text about fear and desire.7.9.2025<h3>EnsembleKollektiv Berlin</h3>Enno Poppe&nbsp;– conductor Christian Kesten&nbsp;– speakerHelmut Lachenmann (*1935) “… zwei Gef&uuml;hle …”, Musik mit Leonardo (1991/92) for speaker and ensemble lyrics by Leonardo da Vinci